Keren Cytter
b. 1977 Israel. Lives and works in Berlin.

SOLO EXHIBITIONS

2008
Keren Cytter, Stuk Kunstcentrum, Leuven, Belgium.

2007
The Victim, MUMOK, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria.
Something Happened, CUBITT Artists, London, UK.
Keren Cytter, Collective Gallery, Edinburgh, Scotland.
Dreamtalk, Thierry Goldberg Projects, New York, NY.
Something Happened, Elisabeth Kaufmann, Zurich, Switzerland.

2006
I was the good and he was the bad and the ugly, KW Institute for Contemporary Art, Berlin, Gemany.
'I can never get people to understand that poetry is the expression of excited passion, and that there is no such thing as a life of passion any more than a continuous earthquake, or an eternal fever. Besides, who would ever shave themselves in such a state?' Lord Byron, Artis, Den Bosch, The Netherlands.
REPULSION, Noga Gallery, Tel Aviv, Israel.
Atmosphere, GAMeC - Galleria d’Arte Moderna e Contemporanea, Bergamo, Italy.
Contemporary Neuromythological Stories, Ellen de Bruijne Projects, Amsterdam, The Netherlands.
Continuity, Elisabeth Kaufmann, Zürich, Switerland.
The Victim, Art 37 Basel, statements, Zurich, Switzerland.

2005
Kunsthalle Zurich, Zurich.
Frankfurter Kunstverein, Frankfurt am Main.

2004
The friends’ series, Dolores; Ellen de Bruijne Projects (with Mark Kent),Amsterdam.
My brain is in the wall, Stedelijk Museum Bureau, Amsterdam.

2003
Videos, Rozenfeld Gallery, Tel Aviv

2002
Drawings, Rozenfeld Gallery, Tel Aviv

GROUP EXHIBITIONS

2008
Television Delivers People, The Whitney Museum of American Art, New York, NY.
The Leisure Suite, The LeRoy Neiman Gallery, Columbia University, New York, NY
Work from the Video & Film collection of Jean-Conrad & Isabelle Lemaitre, Kunsthalle zu Kiel der Christian-Albrecht-Universität, Kiel, Germany.

2007
Cut, Thierry Goldberg Projects, New York, NY.
The Lyon Biennial, The History of a Decade That Has Not Yet Been Named, Lyon, France.
BoundLES, The Henry Street Settlement, New York, NY.
If water crystal, crystal water…, Ingalls & Associates, Miami, FL.
Pawnshop, e-flux, New York, NY.
The first Hertzelia Biennial, Hertzelia, Israel.
The Second Moscow Biennial of Contemporary Art, Moscow, Russia.
The Floating Feather, Daniel Buchholz Gallery, Cologne, Germany.
Self fashion show, Extra City – Center for Contemporary Art, Antwerp, Belguim.
On the Marriage Broker Joke, Office Baroque Gallery, Antwerp, Belguim.
There have to be many and they do(n’t) need to be reconciled with one another, Kunstverein Braunschweig e.V., Brunswick, Germany.
The Shadow Cabinet: ‘Distorted Fabric’, de Appel, Amsterdam, The Netherlands.Fake Movement, Campobase Gallery, Bologna, Italy.
Depiction Perversion Repulsion Obsession, Witte de With, Rotterdam, The Netherlands.
House Trip, curated by Ami Barak on ArtForum Berlin, Germany.
Berlin International Film Festival, Expended Forum, BueroFriedrich, Berlin, Germany.
Zwischenbilanz II, Baloise Art Forum, Basel, Switzerland.
Talking Pictures, K21 Kunstsammlung Nordrhein-Westfalen, Duesseldorf, Germany.
CCA/MAP Magazine/Glasgow Film Festival, Glasgow, UK.

2006
Beauty Unrealized, PSWAR – Public Space With A Roof, Amsterdam, The Netherlands.
The Floating Feather, Chantal Crousel Gallery, curated by Willem de Rooij, Paris, France.
All Hawaii Entrees/Lunar Reggea, Irish Museum of Modern Art, Dublin, Ireland.
City Lab, curated by Friederike Nymphius, Artforum, Berlin, Germany.
Open Space, Art Cologne, Ellen de Bruijne Projects, Cologne, Germany.
Across.videos, Rome, Italy.
Experiments in Pop, Sommer Akademie, Paul Klee Zentrum, Bern, Switzerland.
Satellite of love, Witte de With, exploding television, Rotterdam, The Netherlands.
The world state, Erik Steen Gallery, Oslo, Norway.

2005
Filmblik Program, Filmhuis, Den Haag, The Netherlands.
Dutch Open, De Balie, Amsterdam, The Netherlands.
Fabrikaat-avond, Artis, Den Bosch, The Netherlands.
Disclosed, de Ateliers, Amsterdam, The Netherlands.
6th Republic, Eastarea Gallery, Amsterdam, The Netherlands.
Short Circuit, Motive Gallery, Amsterdam, The Netherlands.
Pilot 2, International Artforum, London, UK.
Dash5, Gallery 291, London, UK.
Introrespective, Pek Festival, Den Haag, The Netherlands.

2004
Videozone, Video Biennale, Tel Aviv
F&N Tel Aviv, Tel Aviv city hall, Tel Aviv
Interior painting after Richard Hamilton, Kav 16, Tel Aviv
A4 – 5, Overtoom 301, Amsterdam

2003
Eeehh...Overtoom 301, Amsterdam
Horse Hospital, London
Good Question, Studiokatendrechtstraat 66, Rotterdam
Wonderyears, Kino Arsenal, Berlin
i, Parnu Filmi, Estonia

2002
videozone - Video Biennale, Israel, Tel-Aviv
Wall Painting, Yanko Dada Museum, Ein Hod

2001
Shoes, Left Bank, Tel Aviv
1998
Nice Plant, Gross Gallery, Tel Aviv

EDUCATION

2002-2004 de Ateliers, Amsterdam, The Netherlands.
1997-1999 The Avni Institute, Tel-Aviv, Israel.

AWARDS

Baloise Art Prize 2006, Art Basel, Switzerland

PUBLICATIONS

2008
Karen Rosenberg, “What’s on the Art Box? Spins, Satire and Camp” The New York Times, January 11, 2008.
Cecelia Alemani, “Television Delivers People,” Critics’ Picks, artforum.com, January 2008.
Kate Bush, “Biennale de Lyon 2007,” ARTFORUM International, January 2008.

2007
Daniel Birnbaum, “Best of 2007,” ARTFORUM International, December 2007.
Cecelia Alemani, “Cut,” Critics’ Picks, artforum.com, December 2007.
Melissa Gronlund, “True Romance,” Frieze, October 2007, pp. 268-270.
Marinella Paderni, “Keren Cytter,” Tema Celeste, September-October 2007, pp. 46-51.Alexander Kennedy, “Keren Cytter,” The List, Issue 575, May 8, 2007.
Sebastian Delot, “Fong-Leng, Isa Genzken, Keren Cytter: Galerie Chantal Crousel,” Flash Art, No. 253, March/April 2007, p. 131.

2006
“All Hawaii Entrees/Lunar Reggea,” IMMA, Irish museum of Modern Art, Dublin, 2006 (catalogue).
Sacha Bronwasser, “Kleine intriges in films van Cytter,” Volkskrant, NL, October 31, 2006.
Galia Yahav, “Keren Kick,” Time Out Tel-Aviv, October 26, 2006, p. 50-51.
Barry Schwabsky, “on Keren Cytter,” ARTFORUM International, October 2006, p. 252-253.
Diedrich Diederichsen and Avi Pitchon, “Keren Cytter, I was the good and he was the bad and the ugly,” Hila Peleg (Ed), KW Institute for Contemporary Art Berlin u. Revolver.
Henrikke Nielsen, “Keren Cytter, KW Institute for Contemporary Art,” Flash Art , No. 250, October 2006, p. 122.
“Dialog” for exhibition catalog of Willem Oorebeek, S.M.A.K., Gent.
Christina Tilmann, “VIDEO FÜR FORTGESCHRITTENE, Keren Cytter, den Kunst-Werken Berlin,” Der Tagesspiegel, July 7, 2006.
“The Da Vinci Dog,” Conversation among Keren Cytter, Hila Peleg and Alessandro Rabottini italian/english, GAMeC Bergamo, 2006.
Arjan Reinders, ”Keren Cytter,” Kunstbeeld, No. 9, Rijswijk NL, 2006, p. 13.

2005
Amanda Coulson, “Keren Cytter at Frankfurter Kunstverein, Germany” Frieze, issue 92, June/July/August 2005.
Katarina Holländer, “Israelische Künstlerin, Kurze Filme mit langem Nachhall.” tachles, July 29, 2005.
“The man who climbed the stairs of life and found out they were cinema seats,” Epilog by Beatrix Ruf, Kunsthalle Zurich, and Nicolaus Schafhausen, Frankfurter Kunstverein (Eds.) Maayan Literature Magazine, Israel, Novel-Catalog for Published by Lukas & Sternberg.
“Kunsthalle Zurich, Keren Cytter,” bazkulturmagazin. Beilage Basler Zeitung. July 18, 2005.
Dominique von Burg, “Panik vor dem eigenen Spiegelbild. Zürich: Keren Cytter und Scott Myles in der Kunsthalle,” Zürichsee Zeitung, July 16, 2005.
Bewegte Bilder, “Keren Cytter at Kunsthalle Zürich,” tachles, July 8, 2005.
Philipp Meier, “Von schwierigen Positionierungs- und Aneignungsversuchen. Eine Doppelausstellung mit Keren Cytter und Scott Myles in der Kunsthalle,” Neue Zürcher Zeitung, July 7, 2005.
Willem de Rooij, opening-speech, Keren Cytter at Frankfurter Kunstverein, January 2005.
Christoph Schütte, “Die Macht der Erinnerung, Filme von Keren Cytter im Frankfurter Kunstverein, Germany,” Frankfurter Allgemeine, Mittwoch, 19. January 2005.

2003
“Yesterday’s Sunset,” The Htv Art Magazine The Netherlands/Belguim, Novella, published by Shadurian, Wonderyears Catalog. NGBK. Berlin